《海王》的新神话主义奇幻美学  

The New Mythology and Fantasy Aesthetics in Aquaman

作　　者：李兴[1] 张行健 赵晶[1] Li Xing;Zhang Xingjian;Zhao Jing(Tianjin University,Tianjin 300072,China)

机构地区：[1]天津大学

出　　处：《艺术与设计（理论版）》2020年第1期130-132,共3页Art and Design

摘　　要：《海王》是由华裔导演温子仁执导的根据DC漫画改编的大型超级英雄科幻电影。依照古希腊神话海神波塞冬及其呼风唤雨的神器三叉戟和北欧深海巨兽克拉肯的原型进行改编的《海王》,创造了一个更加宏伟更加具有未来科技感的新神话世界。神话故事配合天马行空的想象呈现出的海底世界亚特兰蒂斯;拥有超速度与超自然力量的海底人类;奇幻色彩浓厚的海洋生物与坐骑;外形以鱼形呈现的驾驶机器等,都展现出独特的新神话主义的奇幻色彩。Aquaman is a large-scale superhero science fiction film based on DC comics directed by chinese-american director wen ziren.Based on the ancient Greek mythology Poseidon and his trident and the Nordic deep sea monster kraken,Aquaman creates a new mythological world with a grander and more futuristic sense of technology.An undersea world of myth and fantasy,Atlantis;With super speed and supernatural power of the sea people;Fantastical sea creatures and mounts;The driving machine,which is shaped like a fish,presents a unique fantastical color of new mythology.

关 键 词：新神话主义 奇幻 传统神话 超越 

分 类 号：J905[艺术—电影电视艺术]