道家文化对林语堂创作思想的影响  

The Influence of Taoism Culture on Lin Yutang’s Creation

作　　者：阮慧玲 RUAN Huiling(College of Literature,Minnan Normal University,Zhangzhou 363000,China)

机构地区：[1]闽南师范大学文学院

出　　处：《湖州师范学院学报》2020年第1期73-78,共6页Journal of Huzhou University

基　　金：福建省人文社科基地重点项目“林语堂研究资料收集整理与研究”(2014JDZ028)阶段性成果之一

摘　　要：20世纪三四十年代,林语堂因其所倡导的"性灵"文学被视为文化转型期的一支清流,从而形成标颖独到的人格符号。道家文化深刻影响着林语堂的生存选择与美学品格。他甘做"城中隐士",用逸放外的道家智慧注目时局。他奉公安三袁为其文学创作的不祧之祖,而道家美学是为三袁性灵文论的衍出之源,道家浪漫的情怀和奇崛的想象力,这些都影响着林语堂创作之路的选择与美学思想的最终确立。In the 1930 s and 1940 s, Lin Yutang formed a unique personality symbol by advocating the literature of "spirit of nature" as a clear stream in the cultural transformation period. Taoism culture deeply influenced his survival choice and aesthetic character. He is willing to be a "hermit in the city" with the wisdom of Taoism outside the attention of the situation. Taoism aesthetics is the origin of the three Yuan the spirit literary theories of Gongan, the romantic feelings and the peculiar imagination of Taoism, which all enlighten Lin Yutang’s creation and the final establishment of aesthetic thoughts.

关 键 词：林语堂 隐逸 性灵 公安三袁 道家智慧 道家美学 

分 类 号：I206.6[文学—中国文学]