本·琼生古典主义思想探源  

Exploration of the Sources of Ben Jonson’s Classicism

作　　者：吴美群 WU Meiqun(School of Foreign Languages,Changsha University,Changsha Human 410022,China)

机构地区：[1]长沙学院外国语学院

出　　处：《长沙大学学报》2020年第1期121-126,共6页Journal of Changsha University

基　　金：湖南省社科外语联合项目“本·琼生喜剧的巴洛克式张力研究”,编号:17WLH05;湖南省社科成果评审委员会项目“本·琼生城市喜剧中的权力话语研究”,编号:XSP18YBZ113

摘　　要：本·琼生是英国文艺复兴时期最典型的古典主义者,他的古典主义喜剧深刻影响了英国新古典主义文学乃至现代文学。本·琼生立足于17世纪初英国转型时期的社会现实,将贺拉斯的"寓教于乐"思想和亚里士多德的文学虚构性传统相融合,形成了一种兼具古典与狂欢的悖论式喜剧观。同时他立足于基督教道德传统,将塞纳加的斯多葛思想与人文主义自由观相结合,形成了"斯多葛-基督教-狂欢化人文主义"的喜剧思想。Ben Jonson is the most representative classicist in Renaissance England. His classic comedies deeply influece the school of Neo-classicism and even modern literature in England. Based on the social reality of the early 17 th century England, Ben Jonson combines Horace’s theory of "hedonistic-pedagogic compromise" with Aristotle’s literary fictional tradition,presents his paradoxical comic ideas of classicism and carnivalism. Meanwhile, Ben Jonson establishes the "Stoic-Christian-Carnival humanistic" comic theory, by mixing the Christian moral tradition, Seneca’s stoicism and Renaissance humanism together.

关 键 词：本·琼生 古典主义 斯多葛主义 狂欢化 

分 类 号：I106[文学—世界文学]