百年“戏改”  

On the Reform of Traditional Chinese Operas in 100 Years

作　　者：廖奔[1] 刘彦君[2] Liao Ben;Liu Yanjun

机构地区：[1]中国作家协会 [2]中国艺术研究院

出　　处：《戏剧（中央戏剧学院学报）》2019年第6期54-63,共10页Drama:The Journal of the Central Academy of Drama

摘　　要：百年戏曲改革为五四新文化运动所促动,其过程不断受到西洋崇拜、宣传任务、“左”倾思潮影响而一波三折,又长期受到西方写实戏剧的影响与牵制,逐渐改变了传统的舞台方式,但随着经验积累、舞台技术发展和对中国审美内核的提炼而逐步走向成熟,最终形成中西文化交融的结果。The reform of traditional Chinese operas in 100 years was promoted by the May 4th New Culture Movement.However,in the process,it was constantly impacted by the thoughts of worshipping the West,the tasks for propaganda and the left-wing ideological trends.In addition,it was also influenced and restricted by western realistic drama for a long time,and gradually changed the traditional performance.Neverthless,with the accumulation of experience,the development of stage technology and the refinement of Chinese aesthetic core,it gradually has become mature,and finally has been developed into the integration of Chinese and western cultures.

关 键 词：戏改 时代需求 路径与方向 

分 类 号：J82[艺术—戏剧戏曲]