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作 者:廖奔[1] 刘彦君[2] LIAO Ben;LIU Yan-jun(China Writers Association,Beijing 100012;Chinese National Academy of Arts,Beijing 100029)
机构地区:[1]中国作家协会,北京100012 [2]中国艺术研究院,北京100029
出 处:《艺术百家》2019年第6期80-84,共5页Hundred Schools In Arts
摘 要:欧阳予倩是中国现代戏剧史上的一个独特存在。他一生孜孜不倦地探求中国话剧的正确路径,同时又积极参与戏曲改革,他既是唯一一位编、导、演都达到很高水准的舞台艺术家,又有着清晰的戏剧观念底色和明确的戏剧美学追求。他还成为了电影、舞蹈的成功跨界实践者,以戏剧教育思想影响于众。他能取得如此独特的成就,起先当然是自幼兴趣使然,然而他最初更是一位变革中国现状的呼唤者和参与者,走上演剧之路固然由于留学日本,用新剧进行社会教育与宣传、开启民智则是主观目的。时代风气和理想支持着他走上新文艺道路百折而不回,一生都在正确的戏剧观念支配下行动,也并没有因为倡导新戏而贬低戏曲,甚至更加重视戏曲的影响力与表演吸引力。欧阳予倩之所以能成为跨界艺术大师,是因为他具有跨越中西的文化视界与广博的知识结构。欧阳予倩与中国现代戏剧相伴始终,他的踏勘与求索之路划出的,正是中国现代戏剧史的完整轨迹。Ouyang Yuqian is a unique existence in the history of modern Chinese drama.Throughout his life,he diligently explored the right path of Chinese drama,and at the same time actively participated in the reform of Xiqu.He was not only the only stage artist who had achieved great achievements in both editing and directing,but also supported by a distinct concept of drama and had a clear pursuit of drama aesthetics.He also became a successful cross-border practitioner of film and dance,and influenced the public with drama education ideas.The first reason for his unique achievements is of course his interest in childhood,but he was also a caller and participant in the reform of China's current situation at the beginning.Although he went on the road of acting because of studying in Japan,it is the subjective purpose to use new plays for social education and publicity,and to open up people's wisdom.The ethos and ideal of the times support him to go on the new literary and art road and never return.All his life,he acted under the control of the correct concept of drama.He did not belittle Xiqu because of advocating drama,and even paid more attention to the influence and performance of Xiqu.The reason why he can become a master of cross-border art is that he has a cross-cultural horizon and a broad knowledge structure.Ouyang Yuqian has always been associated with modern Chinese drama,and his exploration and pursuit of the road has drawn the complete track of the history of modern Chinese drama.
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