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作 者:王希 刘新华[2] Wang Xi;Liu Xinhua(School of Art, Liaocheng University, Liaocheng 252000, China;School of Architecture, Tianjin University, Tianjin 300072, China)
机构地区:[1]聊城大学美术学院,聊城252000 [2]天津大学建筑学院,天津300072
出 处:《天津大学学报(社会科学版)》2020年第2期147-154,共8页Journal of Tianjin University:Social Sciences
基 金:教育部人文社会科学研究青年基金资助项目(18YJC760089);山东省艺术科学重点课题资助项目(201706020)
摘 要:中国画作为一种重要的艺术形式,正经历着重要的艺术变革与发展阶段。当代中国画的面貌呈现出极其丰富多元的样态,但也不乏问题的存在,其中有两个方面最为凸显:一是文化精神内涵上的缺失;二是有关文化品格的境界问题。针对当代中国画发展中的问题与时代语境,通过对传统经典中国画特质的剖析,以及对近现代中国画概念的生成与理路探析,为有关当代经典中国画品评标准的维度建构提供借鉴。As an important art form of the nation,Chinese painting is undergoing the most important artistic reform and development in history.The appearance of contemporary Chinese painting is extremely pluralistic,but there is no lack of problems.There are two aspects most prominent:one is the lack of cultural spiritual connotation,the other is about the realm of cultural character.In view of the problems in the development of contemporary Chinese painting and the context of the times,the author analyzes the characteristics of traditional classical Chinese painting,as well as the generation and the logically analysis of the relevant concepts of Chinese painting since modern times.This paper puts forward three dimensions construction of the evaluation standard of contemporary classical Chinese painting.
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