金铁木导演纪录片中真实再现的创作手法摭谈  

A Study on the Creative Techniques of True Reproduction in the Documentary Directed by Jin Tiemu

作　　者：孙九龄 SUN Jiuling(Jiangsu Broadcasting Corporation,Nanjing,Jiangsu 210000,China)

机构地区：[1]江苏省广播电视总台(集团),江苏南京210000

出　　处：《泰山学院学报》2020年第1期125-129,共5页Journal of Taishan University

摘　　要：自2000年开始,国内掀起了人文历史类纪录片创作热潮,许多优秀作品相继问世。真实再现成为人文历史题材纪录片中不可或缺的部分,其创作手法也日趋成熟。金铁木导演作为国内著名的纪录片导演之一,其作品中真实再现部分的表现手法有着典型意义。真实再现在保持纪录片传统的"间离感"制作手法的同时,利用电影和影视剧的制作手法进行情景再现,形成了一种新的且具有强烈个人风格的纪录片创作手法。Since 2000,there has been a great upsurge in the creation of humanistic and historical documentaries in China,many excellent works have been brought forth. True reproduction as an integral part of the cultural and historical themes documentary, creative techniques is becoming increasingly sophisticated. Director Jin Tiemu as a well-known documentary filmmaker,a true representation of part of the expression means there is a clear shift in his films. This article will be a true representation of part of the comb and contrast Gold and Iron wood works director,summarized a true representation of common photographic techniques.

关 键 词：真实再现 金铁木 纪录片 摄影手法 

分 类 号：J952[艺术—电影电视艺术]