论杜拉斯《情人》对海男创作风格的影响  

Influence of Duras'The Lover on Hainan's writing style

作　　者：王璐瑶 WANG Lu-yao(School of Chinese Languages&Literatures,Lanzhou University,Lanzhou,Gansu 730000)

机构地区：[1]兰州大学文学院,甘肃兰州730000

出　　处：《牡丹江大学学报》2020年第3期78-81,86,共5页Journal of Mudanjiang University

摘　　要：《情人》在某种意义上说代表了杜拉斯小说艺术的高峰,是她最具艺术魅力,也是影响最广泛的作品。由于《情人》中独具特色的东方风情、诗性情爱话语和中国情人的人物形象,一经出版即在中国引发强烈反响。《情人》别具一格、独特新奇的艺术范式,诸如女性欲望的张扬、身体写作的叙事策略等都强有力地影响着中国当代作家,其中就有海男。作为女性私人化写作的代表作家,海男在接受杜拉斯影响之余,亦基于中国文化传统和现实生存体验形成自己富有艺术个性的审美风格。In a sense,the Lover represents the peak of Duras’novel art,and it is her most artistic and the most influential work.Because of its unique oriental style,poetic love discourse and the character of Chinese lover,the publication of the Lover has aroused strong repercussions in China.The unique artistic paradigm of the Lover,including the publicity of women's desire and the narrative strategy of body writing,has strongly influenced many Chinese contemporary writers,such as Hainan.As the representative writer of the women's personal writing,Hainan accepted Duras'creative style,and she also formed the aesthetic style of her own artistic personality on the basis of Chinese cultural tradition and her real life experiences.

关 键 词：情人 我的情人们 女性欲望 诗性话语 

分 类 号：I207.42[文学—中国文学]