毛序《郑风》的话语构设与汉初继嗣语境关系研究  

The Study on Discourse Construction of Mao′s Preface to Zheng Songs with the Context of Royal Succession in Early Han Dynasty

作　　者：杨秀礼[1] Yang Xiuli

机构地区：[1]上海大学诗礼文化研究院,上海200444

出　　处：《中州学刊》2020年第2期138-143,共6页Academic Journal of Zhongzhou

基　　金：国家社会科学基金重大项目“《诗经》与礼制研究”(16ZDA172)。

摘　　要：毛《序》解读《郑风》作品主要采用概念转换、取譬转义等意义置换手法,聚焦郑庄公与其弟共叔段、郑庄公诸子间两场因君位传替而引发的政治斗争,认为由此造成的社会混乱是郑国走向衰败的根源之一。毛《序》将郑国君位传替斗争作为《郑风》言说内容并加以批判,体现出在汉初继嗣不明的政治局势下,作者尝试重建周代嫡长子继承宗法传统的话语权力,借由文本注释实现构设符合大一统背景的新秩序的努力。Mao′s preface interpreted Zheng Songs mainly by adopting the means of concept transformation,taking metaphor to change meaning,etc.They focused on the two political struggles concerning the succession of throne in Zheng State,one was between Duke Zhuang and his brother,Gong Shuduan,and the other about Duke Zhuang′s sons.Mao′s preface considered that the social chaos resulting from the struggles were the causes of Zheng′s decline.Mao′s prefaces took the succession struggles as the content of Zheng Songs and criticized them,which reflected that with the unclear succession in political situations in early Han Dynasty,the author attempted to rebuild the discourse power about the succession right of the eldest son in the patriarchal tradition of Zhou Dynasty,and to construct a new order in accordance with the background of great unity through the text annotation.

关 键 词：毛《序》 郑国 《郑风》 君位传替 

分 类 号：I206[文学—中国文学]