《北京折叠》的空间研究  

The Study of Space in Folding Beijing

作　　者：王意 WANG Yi(Center for Literary Theory and Aesthetics,Shandong University,Jinan 250100,Shandong)

机构地区：[1]山东大学文艺美学研究中心,山东济南250100

出　　处：《阜阳师范学院学报（社会科学版）》2020年第1期44-49,共6页Journal of Fuyang Normal University：Social Science Edition

基　　金：中国博士后科学基金第10批特别资助“当代艺术哲学视域中艺术与美的关系研究”(2017T100483)。

摘　　要：本文从城市空间的政治性表现、空间统治的权力来源以及如何维护空间秩序的稳定等三个方面对《北京折叠》的科幻空间进行研究。原本与空间相互独立的、具有平等性的时间沦为空间统治的工具。类似异托邦的折叠城市通过断裂时间,达到空间并置的效果,同时也是城市发展历史进程的空间隐喻,并造成了主体对生存家园归属感的缺失。折叠北京是统一了乌托邦与恶托邦特征的异托邦存在。郝景芳以其独特的“温情主义”创作,对恶托邦的批判没有走向血腥暴力,而是留下了温存的乌托邦想象背影。This paper studied the sci-fi space of Folding Beijing in terms of the political expression of folding city space,the power sources of space domination and how to maintain the stability of the space order.Time,originally independent from space and having equality,became a tool of space domination.Folding cities like Heterotopias achieve the effect of space parallelism through fracture time,and are also spatial metaphors of the historical process of urban development,which cause the psychological estrangement that exists but does not belong to the individuals.This paper considers Folding Beijing to be the existence of a heterogeneous state between Utopia and dystopia.With her unique Tenderism,Hao Jingfang did not turn to the bloody violence in criticizing dystopia,but left a warm utopian imagination figure.

关 键 词：空间 政治性 时间 异托邦 温情主义 

分 类 号：C[社会学]