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作 者:程国君[1] 李继凯[2] Cheng Guojun;Li Jika
机构地区:[1]陕西师范大学文学院,西安710119 [2]陕西师范大学人文社会科学高等研究院,西安710119
出 处:《中国社会科学》2020年第3期163-183,207,208,共23页Social Sciences in China
基 金:国家社会科学基金重大项目“陕甘宁文艺文献的整理与研究(1934—1949)”(16ZDA187)阶段性成果。
摘 要:延安革命家的诗词创作实践是现代中国历史上的宝贵精神财富,但一直缺乏整体关注和系统研究。以毛泽东和怀安诗人为代表的延安革命家,将自己的诗词创作与时代、民族、国家、人民的命运紧密结合,使早期的“延安颂诗”成为抗战文学乃至现代文学中的“钢和钙”,至今鼓舞世人。延安革命家的诗歌创作既尊重中国古典文学古朴、典雅、凝练的抒情传统,又吸收五四文学的自由品格,并融入英雄主义的宏大叙事。这种“旧瓶装新酒”的艺术创新既推动古典抒情传统的现代转换,又引导现代文学朝着大众化、通俗化方向不断发展。这给当下的诗歌艺术探索带来重要启示:当代诗歌创作不能疏离古典诗歌的艺术传统、只靠“横的移植”开拓诗路。坚持人民性的创作立场,紧跟时代、贴近大众,实现实践性与艺术性的辩证统一,才是新时代诗歌创作的正途。The creative poetry practice of Yan’an revolutionaries is a valuable spiritual treasure for modern Chinese history,but it has yet to receive overall attention and systematic research.The Yan’an revolutionaries,represented by Mao Zedong and the Huai’an poets,closely combined their creation of poetry with the fate of the times,the nation and the people,so that the early“Yan’an odes”became the“steel and calcium”in Anti-Japanese Aggression War literature and even the whole of modern literature,inspiring the whole world right up to the present.The poetry creation of Yan’an revolutionaries not only respected the lyric tradition of Chinese classical literature,that is,simplicity,elegance and conciseness,but also absorbed the free character of the May 4th literature and integrated the grand narrative of heroism.The artistic innovation of“putting new wine in old bottles”not only promoted the modern transformation of the classical lyric tradition,but also guided the constant development of modern literature towards massification and popularization.It brings important enlightenment to the current exploration of poetic art:contemporary poetry creation cannot be separated from the artistic tradition of classical poetry,nor can it rely on“horizontal transplantation”alone to open up the poetic road.The only correct way forward for poetry creation in the New Era is to adhere to a creative position oriented toward the people,stick strictly to the times and the masses,and realize the dialectical unity of practice and artistry.
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