《标本师的魔幻剧本》——对大屠杀的非写实言说  

Beatrice and Virgil:A Nonliteral Speaking of Holocaust

作　　者：彭绍辉 麦永雄[1] PENG Shaohui;MAI Yongxiong

机构地区：[1]广西师范大学文学院,广西桂林541004

出　　处：《广东外语外贸大学学报》2020年第1期33-41,157,共10页Journal of Guangdong University of Foreign Studies

基　　金：国家社会科学基金项目“当代西方文论范式转向及其中国化问题研究”(13BWW001)。

摘　　要：当代加拿大作家扬·马特尔曾以《少年Pi的奇幻漂流》闻名世界,继而他在小说《标本师的魔幻剧本》里又沿用了魔幻现实主义手法来处理大屠杀题材,他设计的两个叙述层面涉及多种体裁和手法,凸显了小说文本的互文性和隐喻特色。这部小说突破了通常大屠杀文学的写实风格,不仅从但丁、福楼拜、贝克特等人的作品里采借了人物寓意、故事架构、作品风格等,而且擅长用隐喻修辞来揭示小说的审美政治元素,由此导向了一种至高权力与赤裸生命的审美政治关联,形成了对大屠杀的非写实的独特言说。Contemporary Canadian writer Yann Martel is world-famous for Life of Pi.In Beatrice and Virgil,he used Magic Realism again to present the theme of Holocaust.The two narrative levels of the novel,containing several literary forms and rhetorical devices,indicate the intertextuality and metaphorical trait of the text.The novel has made a breakthrough out of the realistic style of Holocaust literatures,in which Martel has not only absorbed character allegories,story frames,styles and others from the works of Dante,Flaubert,Beckett and so on,but also applied metaphors,which he is skilled in,to reveal the elements of aesthetic politics of the novel.Therefore,the novel leads to a linkage of aesthetic politics between sovereign power and bare life,and thus Martel s unique nonliteral speaking of Holocaust is complete.

关 键 词：大屠杀 非写实言说 《标本师的魔幻剧本》 魔幻现实主义 

分 类 号：I106.4[文学—世界文学]