古典美学的诗意融合——论歌德诗剧《伊菲格妮在陶里斯岛》的美学特征  

Poetic Integration of Classical Aesthetics——On Aesthetic Features of Goethe’s Poetic Drama Iphigenie auf Tauris

作　　者：胡丹 HU Dan(School of Foreign Languages,Tongji University,Shanghai 200092;School of Western Languages,Zhejiang Yuexiu College of Foreign Languages,Shaoxing,Zhejiang 312000)

机构地区：[1]同济大学外国语学院德语系,上海200092 [2]浙江越秀外国语学院西语学院德语系,浙江绍兴312000

出　　处：《绍兴文理学院学报》2020年第3期54-58,共5页Journal of Shaoxing University

基　　金：浙江省教育厅一般科研项目“融合视域角度下歌德作品《伊菲格妮》的文本研究”(Y201941916)。

摘　　要：德国古典文学从古希腊的美学理想中汲取养分而形成独特的艺术表达风格。其创作的成熟性在于对典型塑造的追求,寻求人和世界的现象下的最高原型,以封闭和谐的艺术形式表达世界和人性形象中内在的和谐性。歌德在魏玛古典时期的重要戏剧作品《伊菲格妮在陶里斯岛》是对古典艺术美学思想的诗学彰显。由散文到韵文的诗学改编为古典戏剧找到了合适的语言外衣,韵文的格律性展现了古典美学对纯洁和谐的追求。German classical literature,under the influence of ancient Greek aesthetic ideal,boasts a unique style in artistic expression.The maturity of its creation lies in the pursuit of typical characterization,the seeking of the highest prototype under the phenomenon of man and the world,and the expression of the inner harmony in the world and human image in the form of closed and harmonious art.Goethe’s important drama work in Weimar’s classical period,Iphigenie auf Tauris,is a poetic manifestation of classical art aesthetics.The poetic adaptation from prose to verse finds a suitable language coat for classical drama,and the metrical nature of verse shows the pursuit of purity and harmony in classical aesthetics.

关 键 词：古典文学 歌德 《伊菲格妮在陶里斯岛》 和谐 

分 类 号：I516.073[文学—其他各国文学]