女性社会先锋的影像表达--濮舜卿电影剧作中的社会性别意识  

Video Expressions of Pioneers in Female Societies--The Consciousness of Social Genders in Movies Composed by Pu Shunqing

作　　者：许航[1] Xu Hang

机构地区：[1]北京电影学院中国电影文化研究院,北京100088

出　　处：《南开学报（哲学社会科学版）》2020年第2期161-167,共7页Nankai Journal:Philosophy,Literature and Social Science Edition

基　　金：国家社会科学基金重大项目(17ZDA242)。

摘　　要：濮舜卿是中国第一位女性电影编剧,并以演员、剪辑等多种身份参与了早期中国电影创作。她通过电影编剧作品,塑造了一批反映时代特征的女性形象,并通过作品批判了中国传统封建婚姻观念。然而,她的作品也体现出性别意识表述上的局限性,主要体现在以"五四"前后流行的"出走"叙事为摹本,以对旧制度、旧文化的批判代替了对两性间权力关系的考察,更多地被笼罩在时代话语塑造的"出走"幻象之中。Pu Shunqing was the first female scriptwriter in China, and participated in the earlier composition of Chinese movies in multiple roles such as an actress and editor. Her scriptwriting works displayed a group of female figures of those times and criticized the traditional Chinese feudal concepts about marriage. However, her works were also restricted by her description about gender consciousness. They mainly imitated the narration of"fleeing"from home around the time of May Fourth Movement, criticized the old system and culture instead of examining the power relationship between genders, and were more overshadowed by the illusion of"fleeing", shaped by the discourse of that time.

关 键 词：濮舜卿 电影剧本 女性形象 婚恋观念 社会性别意识 

分 类 号：J905[艺术—电影电视艺术]