特朗斯特罗姆的“边界”主题  

On the Boundary Theme of Tomas Transtromer

作　　者：张冠男 Zhang Guannan(School of Literature,Nankai University,Tianjin 300071,China)

机构地区：[1]南开大学文学院,天津300071

出　　处：《齐鲁师范学院学报》2020年第1期126-132,共7页Journal of Qilu Normal University

摘　　要：瑞典诗人特朗斯特罗姆往往立足于醒与梦,即现实与神秘的边界上。这种"边界"主题在《途中的秘密》《晨鸟》《冬夜》和《里斯本》中得到揭示。它不仅意味着诗人对日常现实的吸纳,也昭示着他对物质现实局限的超越。特朗斯特罗姆试图唤回被理性遮蔽的精神空间,从而在一种既有的"整体性"中探究人与世界的隐秘联系。Swedish poet Tomas Transtromer often stands on the boundary between waking and dreaming,that is,reality and mystery.This"boundary"theme is revealed in the poems such as Secrets on the Road,Morning bird Songs,A Winter Night and Lisbon.It means not only the poet’s absorption of daily reality,but also his transcendence of the limitations of material reality.Transtromer tries to reclaim the spiritual space covered by reason,thus exploring the hidden connection between man and the world in an existing"wholeness".

关 键 词：特朗斯特罗姆 “边界”主题 《途中的秘密》 《晨鸟》 《冬夜》 《里斯本》 

分 类 号：I106.6[文学—世界文学]