浅析中国伊斯兰教建筑纹饰艺术——以西安化觉巷清真大寺为例  

Analysis on the Decorative Art of Islamic Architecture in China--A Case of Grand Mosque in Huajue Lane in Xi’an

作　　者：朱玉东 宋辉[1] Zhu Yudong;Song Hui(College of Architecture,Xi'an University of Architecture and Technology,Xi'an Shaanxi 710055,China)

机构地区：[1]西安建筑科技大学建筑学院,陕西西安710055

出　　处：《城市建筑》2020年第1期163-166,共4页Urbanism and Architecture

基　　金：西安建筑科技大学自然科学专项基金(1609718006)。

摘　　要：伊斯兰教建筑纹饰艺术体现了宗教的人文情怀和审美观念。随着时空的变换,中国伊斯兰教建筑纹饰艺术经历了历史性的变化,从中我们可以感受到宗教文化的继承和本土文化的地域性表达。西安化觉巷清真大寺建筑纹饰艺术展现出了伊斯兰文化的博大精深,丰富了我国建筑文化的艺术宝库,既带有浓厚的伊斯兰教风格,也蕴含着极其鲜明的中国传统特色,反映了东西文化融会贯通的特点。Islamic architectural decoration art reflects the human feelings and aesthetic concepts of religion.With the change of time and space,the art of Islamic architecture decoration in China has experienced historical changes,from which we can feel the inheritance of religious culture and local regional expression.The architectural decoration art of Grand Mosque in Huajue lane of Xi,an shows the profundity and profundity of Chinese Islamic culture and enriches the art treasure house of Chinese architectural culture.It not only has a strong Islamic style,but also contains distinct Chinese traditional characteristics,reflecting the characteristics of the integration of eastern and western cultures.

关 键 词：伊斯兰教 建筑纹饰艺术 西安化觉巷清真大寺 东西文化 交融 

分 类 号：TU-80[艺术—艺术设计]