战争主题与身份重构——以林芙美子《浮云》为对象  

On the War Theme and Identity Reconstruction:Taking Fumiko Hayashi's Floating Clouds as the Objec

作　　者：戴玉金[1] DAI Yu-jin(Institute of Foreign languages,Longyan University,Longyan,364012,China)

机构地区：[1]龙岩学院外国语学院,福建龙岩364012

出　　处：《福建江夏学院学报》2020年第1期89-94,112,共7页Journal of Fujian Jiangxia University

基　　金：福建省社科规划项目“镜像理论下现代日本代表性知识分子的中国认识研究”(FJ2017X005)。

摘　　要：作为战后日本文学史上不可忘却的女性小说代表作之一,林芙美子创作的长篇小说《浮云》以战争语境下的日本返迁者为对象,一方面描述了战争带给日本人的堕落、死亡与异化;一方面描述了男性权力主导下的多样化的女性人物与重层化的女性形象。战后返迁的主题描述加剧了战后日本人的“受害者”意识,女性书写与形象建构则是为战后日本女性的身份认同提供了参照体系,即日本女性应该如何与战争诀别、与过去诀别进行一种新的身份重构。As one of the unforgettable representative female novels in the postwar Japanese literary history,Floating Clouds created by Fumiko Hayashi takes Japanese returnees in the context of war as the object.On the one hand,it describes the depravity,death and alienation brought by the war to the Japanese;on the other hand,it describes the diversified female characters and stratified female images under the domination of male power.The theme description of the postwar migration intensifies the consciousness of"victims"of the Japanese.The depiction of women and their image construction provide a reference system for Japanese women's identity after the war,that is,how Japanese women should bid farewell to the war and the past for a new identity reconstruction.

关 键 词：日本女性文学 林芙美子 《浮云》 战争语境 身份重构 

分 类 号：I106.4[文学—世界文学]