福州十番音乐的艺术特色探析  

Analysis of the Artistic Features of Fuzhou Shifan Music

作　　者：刘毅云 LIU Yiyun

机构地区：[1]闽江师范高等专科学校,福州350108

出　　处：《浙江艺术职业学院学报》2019年第3期136-140,共5页Journal of Zhejiang Vocational Academy of Art

基　　金：2017年福建省社会科学规划青年项目“福州台江茶亭十番音乐的传承与保护”研究成果。(项目编号:FJ2017C071)。

摘　　要：福州十番音乐起源于福州市台江区的传统民间音乐,具有深厚的文化底蕴,是地域化传统艺术的精粹。其独立的艺术特色使其有别于其他民间音乐形态,流传至今,深受民众喜爱。十番音乐所运用的调式调性与乐器构成独具一格,坐奏、行奏的表演方式均有特殊规制,十番音乐的旋律、节奏具有浓厚的地域特色,在当代文化环境中,十番音乐的艺术特色也与时俱进地得到了改变与升华,使艺术性和审美情趣得到增益。Fuzhou Shifan Music originated from the traditional folk music in Taijiang District of Fuzhou City.It has a profound cultural heritage and is the essence of regionalized traditional art.Its independent artistic features make it different from other folk music forms,and it has been popular for more than three years.The styles and musical in struments used in Shifan’s music are unique.The performances of sitting and playing are specially regulated.The melody and rhythm of Shifan music have strong regional characteristics.In the contemporary cultural environment,the artistic characteristics of shifan music have also been changed and sublimated with the times,and the artistic and aesthetic tastes have gained.

关 键 词：福州十番音乐 艺术特色 旋律结构 锣鼓经 

分 类 号：J632[艺术—音乐]