地方戏传承的场域变迁与实践选择  

Field Change and Practical Choice in the Inheritance of Local Opera

作　　者：姚磊 YAO Lei(School of History and Culture, Xinyang Normal University, Xinyang 464000, China)

机构地区：[1]信阳师范学院历史文化学院,河南信阳464000

出　　处：《云南民族大学学报（哲学社会科学版）》2020年第2期28-34,共7页Journal of Yunnan Minzu University(Philosophy and Social Sciences Edition)

基　　金：国家社科基金“新型城镇化背景下壮族歌场文化传承性保护研究”(16BMZ072);国家社科基金“中华优秀传统文化传承体系研究”(12&ZD018);信阳师范学院“南湖学者”高层次人才奖励计划暨博士科研启动经费(902-18017)阶段成果

摘　　要：地方戏是农耕社会时期由一定地域的乡土文化孕育而成的地方艺术,并在其创造者们的生存实践中获得了传承和发展。进入现代社会后,随着赖以生存的乡土场域的逐步消解,地方戏陷入了日益严重的传承危机。通过对地方戏在乡土场域中传承的实践逻辑及其进入现代社会后的艰难适应进行比较性解读,尝试以“现代入域”的实践策略来解决它面临的传承困境,为地方戏的传承研究补充新的视角和阐释范式。Local opera is a local art bred from the local culture of a certain region in the period of agricultural society,and it has its inheritance and development from the life and practice of its creator.In the modern society with the gradual dissolution of the local field on which the local opera relies for survival,the local opera has faced an increasingly serious crisis of inheritance.This paper makes a comparative analysis of the practical logic of its inheritance in the local field and its difficult adaptation in the modern society,and tries to solve its inheritance dilemma by implementing the practical strategy of“entering the modern field”,which can provide a new research perspective and interpretive paradigm in this field.

关 键 词：文化传承 地方戏 场域变迁 实践选择 

分 类 号：C95-0[社会学—民族学]