《洛神赋图》中的"神兽"寻踪  

Monsters in the Picture of Nymph of the Luo River

作　　者：张起[1] 张心仪 ZHANG Qi;ZHANG Xinyi(School of Literature and Journalism,Chengdu University,Chengdu Sichuan 610106,China;College of Arts,Sichuan University,Chengdu Sichuan 610065,China)

机构地区：[1]成都大学文学与新闻传播学院,成都610106 [2]四川大学艺术学院,成都610065

出　　处：《成都理工大学学报（社会科学版）》2020年第2期110-118,共9页Journal of Chengdu University of Technology:Social Sciences

摘　　要：《洛神赋图》传为东晋顾恺之描绘曹植与洛水之神宓妃邂逅相恋的旷世名作.作为中国古代人物画的集大成者及山水画的雏形,及将曹植的文学作品《洛神赋》再创作为绘画的第一幅作品,《洛神赋图》在中国绘画史上有着举足轻重的地位.《洛神赋图》是一幅充满浪漫想象力的作品,其中除了曹植这样的历史人物,还融入了顾恺之时期的东晋文化元素、各路仙道人物与神秘古兽.重点引用《山海经》,并参考《淮南子》《搜神记》等古籍资料,考证《洛神赋图》中各类神兽的来龙去脉,探索它们的神话记载,以揭开其面纱.通过寻找《洛神赋》《洛神赋图》及其历史关系与意涵,考释《洛神赋图》中的"神兽"来解读和再现龙、玉鸾、鲸鲵、文鱼、金乌、屏翳的文化意蕴.Nymph of the Luo River is a remarkable masterpiece painted by Gu Kaizhi in Eastern Jin,which illustrates the love story between Cao Zhi and the nymph of Luo River.As the summit of Chinese ancient figure paintings,the origin of landscape paintings and the first painting which recreated Cao Zhi’s literature work Luoshen Fu.Nymph of the Luo River is very signiticant and vital.This painting is full of imagination.Apart from the historical figure Cao Zhi,the painting shows the cultural element at that time,a variety of gods and some mysterious animals.This thesis quotes Shanhai Jing,and takes Huainanzi and Soushen Ji as references to figure out these creatures’name and their astonishing legends.By searching for the relationship and contact between Nymph of the Luo River and Luoshen Fu,as well as investigating the monsters in the picture we can introduce the underlying culture of Dragon,Luan,giant whale,Wenyu,Golden Crow and the Pingyi for you.

关 键 词：洛神赋图 洛神赋 山海经 神兽 

分 类 号：J205[艺术—美术]