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作 者:吉玲竹[1] 尹浩杰[2] 赵怡 JI Ling-zhu;YIN Hao-jie;ZHAO Yi(Department of Foreign Languages,Taiyuan Normal University;Department of Music,Taiyuan Normal University;Taiyuan Normal University,Jinzhong 030619,China)
机构地区:[1]太原师范学院外语系 [2]太原师范学院音乐系 [3]太原师范学院,山西晋中030619
出 处:《太原师范学院学报(社会科学版)》2019年第6期72-78,共7页Journal of Taiyuan Normal University:Social Science Edition
摘 要:走出国门的绛州鼓乐是山西“非遗”活化的典范。传统艺术的活力往往建立在与当地各种民俗活动相生相伴的基础之上,受所在地历史文化的滋养。在相对封闭的民俗环境中,绛州鼓乐承担着酬神娱人、春祈秋报、驱邪除魔等功能,并参与当地的人生礼仪、商业庆典、文艺表演和休闲娱乐等多种活动。绛州鼓乐有着深厚的民俗文化渊源,而且能够与时俱进,在突破中求发展,具有生生不息的活力。Jiangzhou Drum Music,a traditional folk music genre which has been performed many times in different countries,is a good example of dynamic inheritance of intangible cultural heritage.Nurtured by the local history and culture,the traditional art keeps interacting with the folk activities.In a relatively isolated environment,the drum music has been often played to praise gods,immortals and deities,entertain people,serve the life rituals according to the local customs,and ward off the evil spirits.Contemporarily,Jiangzhou Drum Music,deeply rooted in folk culture,develops in a vigorous way by making constant breakthroughs.This article aims at exploring its origin from the perspective of folk culture and evolution of its functions in the ever-changing folk and social environment.
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