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作 者:柳倩月 LIU Qian-yue(School of Literature and Communication,Hubei Minzu University,Enshi,Hubei 445000)
机构地区:[1]湖北民族大学文学与传媒学院,湖北恩施445000
出 处:《淮阴师范学院学报(哲学社会科学版)》2020年第1期70-76,108,共8页Journal of Huaiyin Teachers College(Social Sciences Edition)
基 金:2011年度国家社科基金西部项目“中国民间文学批评史研究”(11XZW003)。
摘 要:竹枝词是源于巴蜀民间竹枝山歌的诗歌体裁,是民间山野之歌与文人诗歌相互影响的艺术结晶。由唐迄清,民间竹枝词经由历代文人的仿作拟作,发展演变为文人竹枝词,形成以吟咏风土人情和反映社会生活为主要内容的风俗诗体,有其内在的发展规律。在中国文人诗歌发展的自律性动力因素以及来自民间竹枝词的制约机制的共同作用下,文人竹枝词不仅体现出独特的艺术魅力,也继承、弘扬了中国诗史宝贵的“采诗观风”传统,具有重要的社会价值、文化价值和审美价值。The Zhuzhici is a form of poetry from the folk songs of Bashu,which is the artistic crystallization of the interaction between the folk songs and the poetry.From Tang to Qing Dynasty,folk Zhuzhici developed into poem about Zhuzhici,which became a kind of custom poem with chanting customs and reflecting social life as the main content.This kind of development has its inherent regular.Under the joint action of the self-discipline motive force of the development of Chinese poetry and the restriction mechanism of folk Zhuzhici,the Zhuzhici not only embodies the unique artistic charm,but also carries forward the valuable tradition of"Collect poetry and observe customs",which has important social value,cultural value and aesthetic value.
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