法国当代小说中的巴洛克反讽——以“游戏小说”派为例  

Baroque Irony in Contemporary French Fictions:A Case Study of“Playful Fiction”

作　　者：赵佳[1] Zhao Jia(School of International Studies of Zhejiang University,Hangzhou 310058,Zhejiang,China)

机构地区：[1]浙江大学外语学院,310058

出　　处：《文艺理论研究》2019年第6期168-174,共7页Theoretical Studies in Literature and Art

基　　金：教育部人文社会科学研究一般项目“法国当代小说中的城市空间叙事研究”[项目编号:19YJA752027]的阶段性成果。

摘　　要："巴洛克反讽"由罗兰·巴特提出,代表了语言的转向。它从表现外部世界转而揭示语言所指之间的关系,它是语言对语言的质问。以法国"游戏小说"派为代表的当代文学凝聚了"巴洛克反讽"的特征,在语义、句法、词法和戏仿几个方面均有所表现。"巴洛克反讽"是一门反形而上学的语言,它不再关心语言是否能够传达稳定的意义,甚至以消解任何意义为乐趣。它是一门反理性的语言,把我们带入到一个各相并立,融汇交通的文本世界中。它同时又是不及物的语言,只关注自身,将语言的物质性作为此在唯一的实在。The term Baroque irony is coined by Roland Barthes,which is considered to be representative in the so-called language turn.It represents the relationship between the signifieds within language rather than that between language and the outside world,and thus it questions language itself.The"Playful Fiction"demonstrate Baroque irony in terms of semantics,syntax,morphology and parody.Baroque irony is,the paper concludes,a kind of anti-metaphysical language that does not aim to convey fixed meanings but deconstructs them.It is an anti-rational language that brings readers to a world of texts where meanings coexist and interact.It is also an intransitive language that focuses only on itself and considers the materiality of language as the only reality.

关 键 词：巴洛克反讽 罗兰·巴特 法国游戏小说派 语言的物质性 

分 类 号：I565.074[文学—其他各国文学]