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作 者:吴曼妮 郑文俊 胡露瑶 王荣 WU Manni;ZHENG Wenjun;HU Luyao;WANG Rong
机构地区:[1]桂林理工大学旅游与风景园林学院风景园林学系,桂林541004 [2]桂林理工大学旅游与风景园林学院、植物与生态工程学院,桂林541004 [3]桂林理工大学旅游与风景园林学院,桂林541004
出 处:《中国园林》2020年第3期50-54,共5页Chinese Landscape Architecture
基 金:国家自然科学基金项目(编号51878087);广西自然科学基金项目(编号2018GXNSFAA050068);广西哲学社会科学基金项目(编号18FSH003)共同资助。
摘 要:园林作为一种文化载体,其美学思想的演变过程既是社会形态演变的外化,也是历史阶段人与自然关系的折射。从风景园林史学与美学的双重视角,解读桂林山水园林的审美历程。研究发现,桂林山水园林审美文化的发展可划分为寻形赋情、重理塑神和意蕴相生3个阶段,发展过程具有渐进性、层累性,是人文性和艺术性不断递进的过程。其园林审美特质表现为以自然为本源、整体的环境观和丰富的审美联想。研究为桂林园林文化的传承发展及当代城市风景建设提供一定的理论支持,并对岭南风景园林史的完善具有推进意义。As a kind of cultural carrier,the evolution of garden aesthetic thought is not only the externalization of social form evolution,but also the reflection of the relationship between human and nature in the historical stage.From the double perspectives of landscape architecture history and aesthetics,this paper interprets the aesthetic process of landscape garden in Guilin.It is found that the development of the aesthetic culture of Guilin landscape garden can be divided into three stages:seeking for shape and expressing feelings,emphasizing on theory and shaping romantic charm,and combining meanings.The process of development is gradual and hierarchical,which is a process of continuous progress of humanity and artistry.The aesthetic characteristics of the garden are characterized by the nature,the whole environment and the rich aesthetic association.The research provides certain theoretical support for the inheritance and development of Guilin landscape culture and the construction of contemporary urban landscape,and this is of great significance for the improvement of Lingnan landscape architecture history.
分 类 号:TU986[建筑科学—城市规划与设计]
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