金湘歌剧《杨贵妃》中“杨贵妃”主题的回旋性贯穿  

The Theme Rotary of“Yang Guifei”in Jin Xiang Opera“YangGuifei”

作　　者：唐贤美 TANG Xianmei(Labor Union of Sichuan University of Arts and sciences,Dazhou Sichuan 635000,China)

机构地区：[1]四川文理学院工会,四川达州635000

出　　处：《四川文理学院学报》2020年第2期145-153,共9页Sichuan University of Arts and Science Journal

摘　　要：歌剧《杨贵妃》是金湘对东方哲学美学进行学习研究,和对西方作曲技法进行对比借鉴的一次综合实践.剧中有“杨贵妃”“唐明皇”“唐歌”和“归天”四个主要的音乐主题,其中“杨贵妃”主题为歌剧音乐发展的主线.通过研究“杨贵妃”主题的微观旋律特征,及“杨贵妃”主题的分曲结构特征和使用情况后,发现整部歌剧在宏观结构上形成回旋性特色.现将其整理,以期为中国歌剧研究提供参考.The opera“Yang Guifei”is a comprehensive practice of Jin Xiang’s study of Oriental philosophy and aesthetics and comparison of western composing techniques.There are four main musical themes in the play,namely“Yang Guifei”,“Tang Minghuang”,“Tang Song”and“returning to heaven”.Among them,“Yang Guifei”is the main theme of opera music development.Through the study of the micro melody characteristics of the theme of“Yang Guifei”and the composition structure characteristics and usage of the theme of“Yang Guifei”,it is found that the whole opera has a circumflex feature in the macro structure.Now it is sorted out in order to provide reference for the study of Chinese opera.

关 键 词：杨贵妃 爱情 主题 旋律 结构 

分 类 号：J643[艺术—音乐]