包罗万象的虚构--当代巴西小说  

Omnivorous Fiction: Brazilian Novel of the Now

作　　者：米格尔·桑切斯·内托 刘进(译)[2] Miguel Sanches Neto(Language Studies Department,State University of Ponta Grossa,Ponta Grossa,Paraná,Brazil)

机构地区：[1]蓬塔格罗萨州立大学语言研究系,巴西巴拉那蓬塔格罗萨84030-900 [2]四川师范大学外国语学院

出　　处：《外国语言与文化》2020年第1期61-73,共13页Foreign Languages and Cultures

摘　　要：源起边缘传统的巴西小说经历了一系列的美学延宕,小说创作多采用挪用概念,而非特定大作家的语码概念。当代巴西小说通常从几个不同叙事文类借鉴不同元素、消弭其中的界限。实验多样化的叙事方式赋予当代巴西小说一种后现代叙事集合体特征,也由此,就像所有敢于借鉴甚至"掠夺"的国家一样,巴西小说也充满了虚构活力。本文分析研究了当代巴西小说的主要流派并提出了一位作家作为当代巴西小说的源头。In a peripheral tradition,marked by a tradition of aesthetic delays,the novel production in Brazil uses the concept of appropriation,not of codes of great specific authors.It uses elements from several narrative genres,undoing the limits among them.Such practice gives the contemporary Brazilian novel a status of synthesis of the postmodern narrative,in which other ways of narrating are experimented.As such,it is marked by a fictional vitality typical of nations open to borrowings and lootings.This essay analyzes the main lines of force in Brazilian current novel production and proposes an author as the main source.

关 键 词：巴西小说 娱乐 实验性 后现代性 

分 类 号：I777[文学—其他各国文学]