库切小说中的身体政治、女性主义与后殖民书写  

Body Politics,Feminism and Postcolonial Writing in J.M.Coetzee's Novels

作　　者：房洁[1] FANG Jie(Foreign Language Department, Xuzhou Institute of Technology, Xuzhou,Jiangsu 221008,China)

机构地区：[1]徐州工程学院外国语学院,江苏徐州221008

出　　处：《重庆交通大学学报（社会科学版）》2020年第2期77-83,共7页Journal of Chongqing Jiaotong University:Social Sciences Edition

基　　金：江苏省高校哲学社会科学研究项目“后殖民生态批评视阈下的库切作品研究”(2016SJD750037);徐州工程学院青年项目“库切南非时期小说的后殖民生态思想解读”(XKY2018210)。

摘　　要：2003年诺贝尔文学奖得主库切多部作品聚焦南非殖民历史及种族隔离制度,通过女性身体意象审视种族、性别问题,揭示殖民体系建构和身体创伤、性别形象建构的紧密关系,剖析政治、文化、性别意识形态等权力话语对女性身体的规训和禁锢。身体困境唤醒了女性主体的自我关怀意识,通过暴力抗争、张扬身体欲望等途径在反抗中找寻主体,走出殖民主义和性别压制的藩篱,进行独立自我的建构。J.M.Coetzee won the Nobel Prize of literature in 2003.His novels focus on colonial history and segregation in South Africa.Many are told from the perspective of female characters who have been depreciated to an inferior position.Racial and gender problems are studied by analyzing female body images to expose the close relations among the construction of colonial system,body injuries and construction of gender image.It is exposed that different power discourses such as politics,culture and gender ideology have disciplined and imprisoned female bodies.Body predicament rouses the self-compassion consciousness of female subjectivity.Gender identity is constructed by such means as violence and eros to escape from the barrier of colonialism and gender repression.

关 键 词：库切 身体政治 女性主义 后殖民 

分 类 号：I106.4[文学—世界文学]