《红王妃》中对于“疯癫”的后现代反思  

Post-modern Reflections on Madness in The Red Queen

作　　者：蒋海艳 JIANG Hai-yan(College of Foreign Language,Nanjing University of Technology,Nanjing 211816,China)

机构地区：[1]南京工业大学外国语言文学学院,江苏南京211816

出　　处：《佳木斯大学社会科学学报》2020年第2期121-124,共4页Journal of Social Science of Jiamusi University

基　　金：国家社科一般项目:“珍妮特·温特森的解构主义故事观及其文化语境研究”(18BWW053)。

摘　　要：玛格丽特·德拉布尔在其长篇小说《红王妃》中,通过使边缘人物发声,揭露了历史事件的全貌,向读者展示了“疯子”的形成与权力体系和文化结构间的联系,企图为“疯子”正名。小说中德拉布尔一方面以事件循环、情节重复等手段向大众呈现了古代与现代“疯子”的相似命运;另一方面平行空间的故事设置、多重声音对话的叙述技巧打破了传统的单一话语叙事权威,达到了去中心化的目的。本文将着眼于分析边缘人物的发声和小说中的重复叙事策略、多重声音对话技巧,考察作者是如何通过边缘人物之口和巧妙的叙事策略,隐秘而有力地表达自己对于“疯癫”的后现代式思考。In her novel,“The Red Queen”,Margaret Drabble reveals the whole picture of historical events by giving voices to the marginal characters,and shows the reader the connection between the formation of madman and the power system and cultural structure with an attempt to justify“madness”.In the novel,on the one hand,Drabble presents the similar fate of ancient and modern madmen to the public by means of event cycle and plot repetition.On the other hand,the setting of parallel space and the narrative technique of multiple voices break the traditional single discourse which achieves the goal of decentralization.This article will focus on the analysis of the vocalization of marginal characters,the repetitive narrative strategies and multiple voice dialogue techniques so as to explore how the author secretly and forcefully expresses her postmodern thinking about"madness"through marginal characters and narrative strategies.

关 键 词：《红王妃》 疯癫 边缘人物 对话 重复 

分 类 号：I106.4[文学—世界文学]