历史记忆与文学抒情——南宋遗民词高频意象论略  

Historic Memories and Lyric Literature:Discussion on High-frequency Image Cis of the Adherents of Former Dynasty in South Song Dynasty

作　　者：李世忠[1] LI Shi-zhong(School of Literature and Communication,Xianyang Normal University,Xianyang 712000,Shaanxi,China)

机构地区：[1]咸阳师范学院文学与传播学院,陕西咸阳712000

出　　处：《重庆工商大学学报（社会科学版）》2020年第3期105-111,共7页Journal of Chongqing Technology and Business University：Social Science Edition

基　　金：陕西省社科基金项目(2015J011)“意识形态视野下的南宋词审美抒情研究”;咸阳师范学院文学与传播学院科研项目(2018年度)。

摘　　要：南宋遗民词频繁使用由历史典故演变而来的文学意象,这些意象以“铜驼”“铜盘”“铜雀台”“新亭”“乌衣巷”等为代表,它们均与前代王朝发生的动乱及亡国事变相关。遗民词人通过使用这类意象以表达亡国之恨,同时它们也成为遗民词抒情特色的显著标志。其所以频繁出现,与它们所承载的历史记忆密切相关,也与历代文人不断相沿习用,从而使其所承载情感意蕴走向固化有关。The cis of the adherents of South Song Dynasty frequently used the literature images evolved from historic allusions,and these images were represented by“Tongtuo”,“Tongpan”,“Tongque Platform”,“Xinting”,“Wuyixiang”and so on and were related to the turmoil and nation-perishing incidents of former dynasties.The poets of the adherents of former dynasty expressed their hate to the nation-perishing by using these kinds of images,which became the significant marks for the lyric characteristics of their cis.They frequently appeared,which were closely related to the historic memories carried by the allusions and which were also closely related to the solidification of feelings and spirits carried by the allusions because the scholars of all historic dynasties continued to use these allusions.

关 键 词：南宋 遗民词 历史 意象 

分 类 号：I206[文学—中国文学]