论功夫电影结构美学的审美疲劳与审美再造  

Structural Aesthetics of Kung Fu Movies:Aesthetic Fatigue and Aesthetic Reconstruction

作　　者：王儒雅[1] Wang Ruya

机构地区：[1]山东工艺美术学院,山东济南250300

出　　处：《传媒观察》2020年第4期93-97,共5页Media Observer

摘　　要：每年如约而至的叶问系列影片俨然撑起了华语功夫电影的半壁江山。尽管叶问系列影片屡获殊荣,实际上它却承载了电影界给予的过高评价与期望。叶问系列影片自身的美学价值与其在电影界所得到的认可之间存在着严重的不平衡。该系列影片在其所表现出的矫饰的人物情感、二元对立的人物关系、英雄片类型模式上的欠缺也折射出当下华语武侠功夫片所遭遇的叙事空间及寓意输出的狭窄现状。The annual movie series of Ip Man almost dominate the Chinese Kung Fu movies.The movie series have won many awards,but they bear too much expectation from the movie industry.There is severe imbalance between the aesthetic value of the movie series per se and the recognition it got from the industry.The contentious emotions,the controversial relations and singular model of hero movies shed some light on the current dilemma the Chinese Kong Fu movies are facing.

关 键 词：叙事空间 人物建构 寓意表征 

分 类 号：J905[艺术—电影电视艺术]