黑川雅之“物学观”研究  

Study on the “View of obiect” of Masayuki Kurokawa

作　　者：李超 

机构地区：[1]不详

出　　处：《上海工艺美术》2020年第1期103-105,共3页Shanghai Arts & Crafts

摘　　要：引言:黑川雅之(Masayuki Kurokawa,1937—)是日本当代设计师的重要代表,1967年在早稻田大学获得建筑工学博士,并成立黑川雅之建筑设计事务所。其设计作品涉及范围广泛,其中以工业设计为主,代表了日本当代设计的最高典范。由于作品充满了对于自然、传统、未来的哲学性思考,被称为"东京的达·芬奇"。The treasure of things in Japanese culture constitutes an important aspect of Japanese contemporary design. With the development of industrialization and the maturity of design industry, Japanese design is also facing the lack of creativity and ecological environment. In this context, the establishment of material research will promote designers to re-examine the relationship between matter and environment, and create a new era of Japanese design. Therefore, the study of material view can promote the reflection of Chinese contemporary design on large-scale material production.By using the method of literature research, this paper interprets the design works and design philosophy of Japanese contemporary design master Hirakawa Yazhi, and thinks about the enlightenment of Japanese design to contemporary Chinese design. Masayuki Kurokawa’s view of matter as a breakthrough point to study the relationship between people and things, people and people, people and the environment, pay more attention to the problems of design culture, and appreciate the culture to a certain height. The final solution of physics is the problem of environment and space. In fact, Masayuki Kurokawa’s view of matter and environment is a concept of mutual transformation between things and environment, which embodies the concept of sustainability, which is both focused on the past and based on the future.

关 键 词：建筑设计事务所 早稻田大学 工学博士 当代设计 达·芬奇 设计师 日本 

分 类 号：TB47[一般工业技术—工业设计] K833.13[历史地理—历史学]