“幻情”·“幻境”:脂砚斋小说审美幻境生成论  

Illusory Situation and Illusory Context:On the Form of Generative Theory of Aesthetic Situational Factor for Zhiyanzhai's Fiction

作　　者：高明月[1] GAO Mingyue(School of Liberal Arts,Guangxi Normal University,Guilin 541004,China)

机构地区：[1]广西师范大学文学院,广西桂林541004

出　　处：《云梦学刊》2020年第3期96-102,共7页Journal of Yunmeng

基　　金：国家社科基金项目“东方美学的当代化与国际化会通研究”(18XWW003)。

摘　　要：脂砚斋小说批评强调小说写情的主旨,从"幻"入手,提出一系列与"幻"相关的概念,其认为小说之情是"幻情",小说因情生幻,以幻言情。小说"要写情要写幻境",通过"幻拟"手法,用荒诞游戏之笔,营造奇诡险怪的幻境,以使读者产生惊奇的审美快感。小说虚构的审美幻境具有模糊朦胧的艺术效果,是一种诗意的审美境界,通过作者和批者、读者的双向互动,生成小说的主旨及深层意蕴。Zhiyanzhai's fiction emphasizes on the description of situation,which started from"illusion"and proposes a series of concepts of"illusion",it comes a conclusion that the situation of fiction is illusionary.The illusion of the fiction based on the situation describes the situation based on the illusion.The form of illusory context for the fiction is the reality,by the means of illusory personification,which by the way of fantasy and joke,and makes weird and strange illusion.Finally,it shows an amazing aesthetic vibrate on the readers.The fictitious aesthetic illusion of the fiction has the artistically vague and misty affection,is a kind of poetic aesthetic context,which forms the main purpose and deep implication of the fiction by the way of interact among the writer,criticizer and reader.

关 键 词：幻情 幻拟 幻境 奇 小说虚构 审美心理 

分 类 号：I206.2[文学—中国文学]