格雷马斯叙述视角下的《牡丹亭》  

The Peony Pavilion from the perspective of Greimas's narration

作　　者：王大婷 WANG Dating(School of Humanities, Yantai University, Yantai 264005, China)

机构地区：[1]烟台大学人文学院,山东烟台264005

出　　处：《镇江高专学报》2020年第1期121-124,共4页Journal of Zhenjiang College

摘　　要：《牡丹亭》是中国戏曲史上的杰出作品之一。运用格雷马斯的结构主义叙事理论,从表层结构的行动元理论和深层结构的语义方阵理论解读《牡丹亭》文本,以杜丽娘的生死为线,将文本分为3个阶段,即因春伤情、因情而死、为情复生,建立《牡丹亭》的行动元模式,分析角色在文本中的蜕变及其在故事发展中的作用。从杜丽娘与杜宝的对立引出“情”与“理”的对立,构建《牡丹亭》的语义方阵,揭示各元素间的关系,阐明文本主题并探求文本主题的意义及其局限性。The Peony Pavilion is one of the outstanding works in the history of Chinese opera.Using the structuralist narrative theory of Greimas,this thesis interprets the text of The Peony Pavilion from the action element theory of surface structure and the semantic matrix theory of deep structure.Taking the life and death of Du Liniang as the line,the text is divided into three stages,that is,the action element mode of The Peony Pavilion is established because of the spring injury,the feeling death and the feeling rebirth.The transformation of the role in the text and its development in the story are analyzed.From the opposition between Du Liniang and Du Bao,the opposition between“feeling”and“reason”is brought out.The semantic matrix of The Peony Pavilion is constructed to reveal the relationship between various elements,clarify the theme of the text and explore the significance and limitations of the theme of the text.

关 键 词：《牡丹亭》 格雷马斯 行动元模式 语义方阵 

分 类 号：I207.24[文学—中国文学]