漳州木偶头雕刻制作工艺和艺术特色述论  

On the Origin,Production Technology and Artistic Traits of Zhangzhou Puppet Carving

作　　者：李海梅 LI Hai-mei

机构地区：[1]漳州市博物馆,福建漳州363005

出　　处：《闽南师范大学学报（哲学社会科学版）》2020年第1期60-64,共5页Journal of Minnan Normal University:Philosophy and Social Sciences

摘　　要：漳州木偶头雕刻艺术源远流长,源于唐,兴于宋,盛于明清延续至今.其制作工艺复杂,需要选材、开坯、定形、粗刻、细刻、修光、上土裱纸、补土、上粉、绘脸、盖腊(喷漆)、栽胡须头发、梳头、雕刻手脚、穿布内套、配行头等十几道工序.作为北派木偶的代表,漳州木偶具有中原气息浓厚、京剧风格突出、闽南特色独具、人物造型丰富等四大艺术特色.Zhangzhou puppet carving art,with a long history,originated from the Tang Dynasty,rose in the Song Dynasty and flourished in the Ming and Qing dynasties.Its production craft is complex,covering dozens of manufacturing procedures:choosing material,chiseling blank,setting shape,rough carving,fine carving and polishing,paint coating and papering,catching up on coating and powder,drawing a face,covering wax(spraying paint),setting beard and hair,combing hair,carving hands and feet,wearing cloth inside cover,matching accessories,etc.As the master of the northern puppet,Zhangzhou puppet has four artistic characteristics:strong central plains temperament,outstanding Peking Opera style,unique Minnan characteristics and rich character modeling.

关 键 词：漳州木偶雕刻 渊源 制作工艺 艺术特色 

分 类 号：J314.2[艺术—美术]