生态批评视野下的瓷板画《森林之歌》研究  

The Research Of Porcelain Plate Painting 《Song Of The Forest》 Form The Perspective Of Ecological criticusm

作　　者：李小林 Li Xiaolin(Jingdezhen Ceramic Institute,Jingdezhen,333000)

机构地区：[1]景德镇陶瓷大学,景德镇333000

出　　处：《陶瓷研究》2020年第1期5-7,共3页Ceramic Studies

摘　　要：《森林之歌》是我国现代陶艺、现代壁画、现代工笔重彩画的开拓者之一--祝大年先生于1979年为北京首都国际机场所创作的壁画。画面的装饰性及故事性极强,用东西融合的绘画语言方式,以陶瓷为媒介表现的一副80年代西双版纳的生活场景图。在这幅壁画中,祝大年先生在多处运用了审美形象进行自我的外部赋形。如作为男女性符号的艺术形象的出现,他们呈现出的动作以、及男女的比例,都有强烈的隐喻性。而本文旨在以生态批评的视野来研究《森林之歌》的外在表现及内在含义。"Song of the Forest" is a mural created by Mr.Zhu Danian for Beijing Capital International Airport in 1979.The painting is extremely decorative and story-telling.It uses a combination of Eastern and Western painting language and ceramics as a medium to show a scene of life in Xishuangbanna in the 1980s.In this mural,Mr.Zhu Danian used the aesthetic image in various places to shape himself externally.For example,the appearance of artistic images as symbols of men and women,their movements,and the proportion of men and women have strong metaphors.The purpose of this article is to study the external expression and internal meaning of Song of the Forest from the perspective of ecological criticism.

关 键 词：森林之歌 生态批评 自然 人类 

分 类 号：J527[艺术—艺术设计]