浅谈京都桂离宫的侘寂美学  

A Brief Analysis on Wabi-Sabi of Katsura Imperial Villa

作　　者：黄杰 何晓川 Huang Jie;He Xiaochuan(School of Architecture and Design,Southwest Jiaotong University,Chengdu Sichuan 611756,China)

机构地区：[1]西南交通大学建筑与设计学院,四川成都611756

出　　处：《城市建筑》2020年第6期124-125,共2页Urbanism and Architecture

摘　　要：“侘寂”美学最初与日本的茶道结合,其后发展到生活的各个方面,被普遍认为是日本美学意识的一个组成部分,形成了日本文化中独特的审美价值观。文章通过分析“侘寂”美学的发展及特点,并结合日本第一园林——桂离宫的造园思想,从材料使用、建筑结构和造园布局等方面,分析“侘寂”美学在桂离宫中的特征,这对于从“侘寂”的角度解读桂离宫造园思想有一定的参考价值。The“Wabi-Sabi”aesthetics was originally combined with the Japanese tea ceremony,and later developed into all aspects of life.It is generally considered as an integral part of Japanese aesthetic consciousness,forming a unique aesthetic value in Japanese culture.This paper analyzes the development and characteristics of“Wabi-Sabi”aesthetics,and combines the gardening thoughts of Katsura Imperial Villa,Japan’s first garden,from the aspects of material use,building structure,and garden layout,and so on.This has a certain reference value for interpreting Katsura Imperial Villa’s garden-building thought from the perspective of“Wabi-Sabi”.

关 键 词：日本文化 侘寂美学 桂离宫 

分 类 号：TU-86[艺术—艺术设计]