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作 者:程彩霞 CHENG Cai—xia
机构地区:[1]南京大学中国新文学研究中心,江苏南京210023
出 处:《华侨大学学报(哲学社会科学版)》2020年第2期64-75,共12页Journal of Huaqiao University(Philosophy & Social Sciences)
摘 要:迁台女作家的入史问题是重写台湾文学史的重要组成部分。两岸各版台湾文学史对迁台女作家的评价大都是在意识形态对抗的大框架下进行的,存在不客观性。台湾女性学者致力于台湾女性文学史的建构,以纠正现有的台湾文学史对女性文学特别是对迁台女作家的偏见。应凤凰和张瑞芬属于“史料派”,分别致力于20世纪五十年代台湾女性文学史料考索和台湾当代女性散文的耕耘,邱贵芬和范铭如属于“理论派”,分别在台湾女性文学史的探索和空间理论的应用上卓有建树。她们共同将台湾女性文学史的建构推向一个新阶段。The issue of entering history about the female writers who moved to Taiwan is an important part of rewriting the history of Taiwan literature.There is not objective in the evaluation of all kinds of Taiwan literary history in Taiwan and the mainland on the female writers who moved to Taiwan under the framework of ideological confrontation.Female scholars in Taiwan are committed to the construction of the history of female literature in Taiwan in order to correct the existing prejudice of Taiwan literary history against female writers,especially those who moved to Taiwan.Ying Feng-huang and Zhang Rui-fen belong to the“historical materials school”.They are devoted to the research of historical materials in the 1950s and the cultivation of contemporary women’s prose in Taiwan.Qiu Gui-fen and Fan Ming-ru belong to the“theoretical school”.They have made great achievements in the exploration of history of female literature and the application of space theory in Taiwan literature.Together,they have pushed the construction of female literary history in Taiwan to a new stage.
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