佘畯南庭园创作思想演变及其社会情境分析  

The Evolution of She Junnan’s Garden Making Thoughts and the Analysis of Its Social Context

作　　者：林广思[1] 王曲荷 汪礼文 LIN Guangsi;WANG Quhe;WANG Liwen

机构地区：[1]华南理工大学建筑学院,亚热带建筑科学国家重点实验室,广州510641 [2]华南理工大学建筑学院,广州510641 [3]阳光城房地产(广州)有限公司,广州510627

出　　处：《新建筑》2020年第1期13-18,共6页New Architecture

基　　金：国家自然科学基金项目(51108241)。

摘　　要：佘畯南作为重要的岭南建筑师,他的庭园创作思想对岭南以及中国现代园林的发展产生了深远影响。基于对佘畯南庭园作品的梳理,将其庭园创作历程概括为探索、发展和高峰三个主要阶段,并结合广州友谊剧院、广州东方宾馆新楼及广州白天鹅宾馆三个代表性案例,还原设计时的相关社会情境,总结出佘畯南庭园创作思想的演变过程,即最初将庭园作为体现岭南建筑地域性的手段,而后在愈加丰富的现代主义形式中进行"为人"设计的表达,最后在国际化的设计中回归对中国传统园林文化意义的探索。As an important Lingnan modern architect,She Junnan’s garden making thought has had a profound impact on the development of modern Lingnan and Chinese garden.This article based on the masterpieces of She Junnan,firstly summarizes his garden making process into three main phases:exploration,development,and climax.With the three cases of Guangzhou Friendship Theatre,Guangzhou Dongfang Hotel New Building,and Guangzhou White Swan Hotel,it then reveals the contemporary social situation,and shows his evolving garden making concepts:the gardens as a means of embodying the regional characteristics of Lingnan culture;the expression of the notion of"design for people"with the modernist spirit;and the return to the exploration of the cultural significance of Chinese garden tradition in the international context.

关 键 词：现代园林 现代建筑 岭南庭园 佘畯南 

分 类 号：TU986[建筑科学—城市规划与设计]