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作 者:任晟姝[1,2] 雷雷[1] Ren Shengshu;Lei Lei
机构地区:[1]北京师范大学艺术与传媒学院,北京100875 [2]北京师范大学中国艺术教育研究中心
出 处:《民族艺术研究》2020年第2期87-92,共6页Ethnic Art Studies
摘 要:2019年适逢中华人民共和国成立70周年的重要历史节点,这一年间戏剧行业持续发力:在产业层面,积极响应国家机构改革政策,以戏剧创意助力“文旅融合”、促进城市发展,而“沉浸式”戏剧体验等新兴热点项目也带动了戏剧市场的多样化繁荣;在创作层面,全国各地文艺院团纷纷推出精品红色剧目献礼中华人民共和国成立70周年,唱响新时代戏剧艺术华章,但也浮现出改编经典遭遇“退票风波”、引进戏剧“水土不服”等焦点问题。2019 is an important historical point as it is also the 70th anniversary of the founding of the People??s Republic of China.The drama industry developed fast in this year.In the aspect of industry,the administrative reform was undergoing as per the national policy.The creative drama assisted“the integration of culture and tourism”and urban development.New emergent projects such as the“immersive”drama ex?perience promoted diverse prosperity of the drama market.In the aspect of creation,cultural and artistic troupes around the country presented red dramas to celebrate the 70th anniversary of the founding of the People??s Republic of China,as well as to sing the splendid chapter of the drama art in the new era.Howev?er,“refund of ticket”and“un-acclimatization”of introduced drama are issues need to be noted.
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