傅山尚“真”的诗学追求  

Fu Shan’s Poetic Pursuits for“Truth”

作　　者：刘硕伟[1] LIU Shuo-wei(Yimeng Culture Research Institute,Linyi University,Linyi 276005,China)

机构地区：[1]临沂大学沂蒙文化研究院,山东临沂276005

出　　处：《太原学院学报（社会科学版）》2020年第1期79-82,115,共5页Journal of Taiyuan University(Social Science Edition)

基　　金：国家社科基金项目“明清之际儒家诗学体系重构研究”(15BZW077)。

摘　　要：傅山诗学思想的核心是尚“真”。唯其如此,他才能在明末清初万喙一音抨击竟陵派的氛围中标举钟、谭之诗。傅山崇尚的“真”,包括创作主体的性情之真与创作手法的“直下掂出”之真。他不崇“古”,不拘“法”,“号令自我发,文章自我开”,以真诗表现真我。The core of Fu Shan’s poetic thoughts is to advocate“truth”.At the end of Ming Dynasty and the beginning of Qing Dynasty,while most theorists belittled the Jingling School,Fu Shan praised the poets.Fu Shan advocates“truth”,including the“truth”of the creative subject’s temperament,as well as the“truth”of creative techniques.Therefore,neither does he worship“ancient times”,nor does he adhere to“methods”.Fu Shan expresses real self in real poems.

关 键 词：傅山 诗学 尚“真” 

分 类 号：I209[文学—中国文学]