歌剧《茶》隐喻性语言模因与中华禅道的表征  

Metaphorical Linguistic Memes of Chinese Tea and Zen Represented in Opera Tea:A Mirror of Soul

作　　者：姜欣[1] 黄荷 Jiang Xin;Huang He

机构地区：[1]大连理工大学外国语学院,大连116024

出　　处：《外语教育研究》2019年第4期47-52,共6页Foreign Language Education & Research

基　　金：国家社科基金“茶文化模因的跨时域表征与古今茶著翻译研究”(项目编号:17BYY057)。

摘　　要：谭盾是活跃在国际舞台上的当代华人作曲家、指挥家。他以中华茶文化为喻体而创作的歌剧《茶:心灵的明镜》是一部融合古典与现代、东方与西方的艺术作品。歌剧《茶》围绕唐代茶圣陆羽的《茶经》来展开,将中华茶韵与禅道思想以多种模态形式贯穿始终,映入世界艺术视野。通过对新语境中“茶禅一味”模因群在结构隐喻、方位隐喻方面的分析,融入剧情与人物性格,使茶道与中华禅道的话语表征得到更加清晰的呈现。Tan Dun is a contemporary Chinese composer and conductor who is active and renowned on the world stage.His opera Tea:A Mirror of Soul is a multi-mode artistic fusion of classical and modern,Eastern and Western cultural elements.With tea memes from the traditional tea work The Classic of Tea penned by Lu Yu,the tea sage in the Tang Dynasty,the opera metaphorically integrates plots and characters into the profound Chinese tea culture and Zen philosophy.This paper analyzes both structural metaphors and orientational metaphors,and the integration could be seen more clearly as mirrored from the title of the opera.

关 键 词：《茶:心灵的明镜》 语言模因 中华禅道 隐喻表征 

分 类 号：J822[艺术—戏剧戏曲]