聚与离:《菊馨》中的双重聚焦模式  

Convergence and Divergence:Two Modes of Focalization in Odor of Chrysanthemums

作　　者：胡振明[1] Hu Zhenming

机构地区：[1]对外经济贸易大学英语学院,北京100029

出　　处：《外语教育研究》2019年第4期72-78,共7页Foreign Language Education & Research

摘　　要：20世纪的小说叙述技巧推陈出新,在揭示现实生活的复杂性方面取得了有目共睹的成就。其中一个重要的小说叙述技巧的转变就是在第三人称小说中,叙述者不再把自己置于上帝的位置,以全知的视角,用权威的声音讲述故事,而是将一定的叙事任务让渡给作品中的主要人物。文本中存在着作为作者型叙述者的外聚焦以及故事人物的内聚焦,两者的互动建构了整个叙事事实。以D.H.劳伦斯的《菊馨》为例,阐述这种因外聚焦与内聚焦聚合、分离所产生的双声对我们了解作品主题起到的帮助。In the 20^th century,there were abundant new narrative techniques in novels,which made great achievements in exposing the complexity of the real life.One of the important changes in narrative technique was that in the third-person novels,the narrator no longer put himself in the position of God or narrated the whole story from an omniscient perspective and with an authoritative voice;instead,he transferred some narrative missions to the main characters of the novel.Therefore,there existed the authorial narrator’s external focalization and the character’s internal focalization,and their interaction constructed the whole narration.This article aims to explicate how the two voices made by convergence and divergence of two focalizations help us know better the theme of D.H.Lawrence’s Odor of Chrysanthemums.

关 键 词：外聚焦 内聚焦 《菊馨》 

分 类 号：I561.074[文学—其他各国文学]