论契诃夫的独幕剧创作  

On Chekhov’s Creation of One-act Plays

作　　者：彭涛[1] PENG Tao

机构地区：[1]中央戏剧学院戏剧文学系

出　　处：《戏剧艺术》2020年第2期24-34,共11页Theatre Arts

基　　金：中央戏剧学院院内科研项目《契诃夫戏剧诗学研究》(项目编号:YNCB1802)阶段性成果。

摘　　要：契诃夫的独幕剧创作是其戏剧创作的重要组成部分,其中,一部分是通俗笑剧,多数由其本人的短篇小说改编而来。另一部分独幕剧则可纳入悲喜剧的范畴。从小说家到戏剧家,契诃夫做的事情不仅仅是对小说进行改写,更是一种戏剧观念的革新。契诃夫的独幕剧创作继承了果戈理、萨尔蒂科夫-谢德林、亚·奥斯特洛夫斯基的戏剧传统,发展出自己独特的美学风格,特别是《在大路上》一剧,已经具备了一种多声部复调戏剧的美学特征。Chekhov’s plays are mainly composed of one-act plays,of which some are popular comedies adapted mostly from his short stories,and others are classified as tragicomedies. From a short story writer to a playwright,Chekhov not only rewrote his stories,but also innovated the concept of theater. Inheriting the play tradition from Gogol,Saldikov Sedlin and Alexander Ostrovsky,he developed a unique aesthetic style in his one-act plays,which is especially obvious in his play On the High Road that has already shown the aesthetic characteristics of a polyphonic play.

关 键 词：契诃夫 独幕剧 通俗笑剧 悲喜剧 

分 类 号：J80[艺术—戏剧戏曲]