纪德的戏剧世界  

Gide’s Dramatic World

作　　者：杨亦雨 YANG Yiyu

机构地区：[1]华东师范大学法语系

出　　处：《戏剧艺术》2020年第2期100-109,共10页Theatre Arts

摘　　要：作为20世纪法国重要的作家,纪德的文学多方面涉及到戏剧领域。他既创作了不少戏剧作品,也在小说中融入了许多"戏剧性"元素。纪德的戏剧创作灵感多来自历史上的戏剧经典,同时又蕴含着其独特的个人风格。在《扫罗》《康多尔王》《俄狄浦斯》等最具代表性的作品中,其中的人物以自我的个性特点为内在灵魂,展现自我,既具有多样的形象,也含内在张力。除了戏剧作品,纪德也常在他的小说中营造出独特的戏剧空间。通过融入对话、手势和灯光效果等戏剧性元素,具体地展现人物的内心世界。小说的这种戏剧化既突显了真实的自我形象,也使纪德的戏剧世界展示了另一重意义。As an important French writer in the 20 th century,Gide’s literary creation involves drama in many ways than one. He has authored many dramatic works as well as incorporated a lot of"dramatic elements " in many of his novels. Inspired by historical drama classics,Gide’s dramatic creation shows his unique personal style. In the most representative works such as Saül,Le Roi Candaule and dipe,the characters’ individual personalities are taken as their inner soul,thus they are of various images and contain internal tension. In addition to his dramatic creation,Gide also creates unique dramatic spaces in his novels. His novels show the characters’ specific inner world by incorporating a large number of dramatic elements such as dialogues,gestures and lighting effects. Such dramatization of novel not only highlights the genuine images of the selves from certain aspects,but also shows some other significance of his drama world.

关 键 词：纪德 戏剧 戏剧性 自我形象 

分 类 号：J80[艺术—戏剧戏曲]