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作 者:周承铭 ZHOU Cheng-ming(Changchun Institute of Socialism,Chinese Culture and Regional Culture Research Office,Changchun 130041,China;Changchun College of Chinese Culture,Chinese Culture and Regional Culture Research Office,Changchun 130041,China)
机构地区:[1]长春社会主义学院中华文化与地域文化研究室,长春130041 [2]长春中华文化学院中华文化与地域文化研究室,长春130041
出 处:《唐都学刊》2020年第2期10-16,共7页Tangdu Journal
摘 要:《三梦记》所写故事皆有虚构成分,内容是否真实不能用以证明作者究竟为谁的问题;三梦作为不可分割的整体,必须通盘考虑、系统研究、全面评价。《三梦记》是以论点为框架,以故事为佐证,夹议夹叙,结构独特的一篇富有哲思的小说体。梦与现实关系是其叙事核心与主线,揭示梦反映现实的功能、作用与机制是其思想主题。《三梦记》是唐代小说中唯一关注和思考梦现象本身的小说,是系统揭示梦境功能作用的小说,也是唯一没有宗教迷信色彩的纪梦涉梦小说。All the stories in Tales of Three Dreams were fictional.The truth of its content couldn’t be used to prove who the author was.The three dreams must be considered as a whole so as to make a systematical study and comprehensive evaluation.This novel was a kind of philosophy paper with an argument as its framework,stories as its evidence,and narration interspersed with comments.The relationship between dream and reality was the core and main line of its narration,to reveal the function,role and mechanism of dreams reflecting the reality was its ideological theme.Tales of Three Dreams was the only novel that focused on meditating dreams themselves,systematically revealed the function of the dreams,and also the only dream-related novel without the color of religious superstition.
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