论秦观词情辞兼称的艺术表现  

On the Artistic Expression of the Perfect Combination of Emotion and Diction in Qin Guan’s Ci

作　　者：李果林 LI Guo-lin(Fujian Normal University,Fuzhou 350007,China)

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《扬州教育学院学报》2020年第1期6-10,共5页Journal of Yangzhou College of Education

摘　　要：秦观,北宋婉约词人的代表,他也被认为是能体现宋词“当行本色”的词手。秦观一生困苦不得志,时正值元祐党争,屡屡被贬。他独居幽馆,内心愁苦无法排遣,满腹伤心失意,只得借词作来抒发己情。晚唐花间词流于艳俗,往往辞胜于情;宋初虽对词有所开拓,却情胜于辞,而使词真正做到情辞兼称的便是秦观。Qin Guan,the representative of Chinese plaintive Ci poets in Northern Song Dynasty,was also thought to be the most typical poet to advocate originally simplicity in Song Ci.During his whole life,he felt devastated and demoted.He only expressed his feeling by the means of writing poets because he lived alone and had no one to talk with about his sadness.In the late Tang Dynasty,flowery words were more vulgar than the reality.In the early Song Dynasty some explorations on Ci were made,but more passionate.And it was Qin Guan who made perfect connection between feeling and diction.

关 键 词：秦观 淮海词 情辞兼称 艺术表现 

分 类 号：I207.23[文学—中国文学]