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作 者:刘涛 LIU Tao(College of Literature and Journalism,Hanshan Normal University,Chaozhou,Guangdong,521041)
机构地区:[1]韩山师范学院文学与新闻传播学院,广东潮州521041
出 处:《韩山师范学院学报》2020年第2期76-84,共9页Journal of Hanshan Normal University
基 金:国家社会科学基金一般项目(项目编号:18BZW042);广东省社会科学规划学科共建项目(项目编号:GD17XZW08)。
摘 要:在晚明文学复古运动的影响下,六朝文风再度受到重视。张溥辑录《汉魏六朝百三家集》并通过集前题辞表达出对六朝骈文的看法,形成了较为系统的骈文话语。张溥骈文话语的理论内涵包括:认同文章的质文代变规律,赞赏六朝骈文华实兼具;立足于骈文文体,清晰梳理六朝骈文的发展脉络;赞成融虚字散句于骈语,以疏通文气,且能使叙事明晰;重视文章的内在气势,崇尚以气韵论骈文。这些骈文话语理论性强,内涵丰富,体现出张溥对六朝骈文文体的深度省思,对后世骈文理论及批评多有裨益。Under the influence of literary revival movement in the late Ming Dynasty,the literary style of the Six Dynasties was once again valued.Zhang Pu complied the Collections of One Hundred and Three Authors from Han,Wei,and the Six Dynasties and expressed his views on the parallel prose of the six dynasties through the preface to the collection,forming a relatively systematic parallel prose discourse.The theoretical connotation of Zhang Pu’s parallel prose discourse includes:identifying the law of alternatively changing the prose in content and form by combining plain and flowery language;clarifying the development of parallel prose of the Six Dynasties based on the literary style of parallel prose;advocating the integration of structural words and loose sentences in parallel prose,so as to dredge the literary atmosphere and make the narrative clear;emphasizing the inner momentum of the prose and advocating the view of discussing parallel prose in terms of artistic conception.Such parallel prose discourse is highly theoretical and rich in connotation,reflecting Zhang Pu’s deep reflection on the literary style of parallel prose of the Six Dynasties,which is of great benefit to the theory and criticism of parallel prose in later generations.
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