古典园林空间与爱情关系的分析研究——以《牡丹亭》和《浮生六记》为例  

A Study on the Relationship between Garden Space and Love——Take the Peony Pavilion and the Six Notes of Floating Life as Examples

作　　者：谷光灿[1] 冯诗雁 GU Guangcan;FENG Shiyan

机构地区：[1]重庆大学建筑城规学院,重庆400000

出　　处：《园林》2020年第3期8-13,共6页Landscape Architecture Academic Journal

基　　金：中国国家自然科学基金“巴渝传统场镇的景观价值识别和活态保护研究”(编号:51978094).

摘　　要：园林是居于宅内与宅外之间的过渡部分,闺阁小姐的活动多限于自家园林,但即便是自家园林,封建时代的闺阁女性也不常去。正因为如此,古代戏曲文学中,园林作为故事发生的经典场所,爱情传奇渐渐呈现出独特的"后花园模式"。本文基于爱情发生的原理以及过程,从《牡丹亭》《浮生六记》的描述中,抽取作者构思或者描述的、与爱情心理发生以及行为发生相关的园林空间与要素,梳理促成爱情发生的园林空间要素,给予古典园林以爱情生活视角,还原古典园林的生活使用实态,并启示园林设计。The garden is an excessive part between the inside and outside of the house.The activities of boudoir girls are mostly limited to their yards.However,even their gardens may not be a place that women in the boudoir often go to in feudal times.Just because of this,as the ideal place where the story happened,the love legend gradually formed a unique"back garden mode".In this paper,from the principles and processes of love occurrence,the descriptions in Peony Pavilion and Six Notes of Floating Life,it extracts the garden space and elements related to the psychology and behavior occurrence of love.The author conceives or describes,combs the garden space key factors that contribute to the appearance of love,gives the classical garden the attention of love life perspective,restores the real state of life and use of the traditional garden,and enlightens landscape design.

关 键 词：园林 要素 爱情 后花园模式 

分 类 号：TU986[建筑科学—城市规划与设计]