天一阁藏书楼南北园的石景艺术探析  

Analysis on the Stone Landscape Art of the South and North Garden of Tianyige Pavilion Library

作　　者：王文丽 WANG Wenli

机构地区：[1]宁波市天一阁博物馆,宁波315010

出　　处：《园林》2020年第3期46-51,共6页Landscape Architecture Academic Journal

摘　　要：天一阁藏书楼筑造于明朝中期,历经清代、民国,逐步形成现在南北园的园林格局。本文从选石、筑山、叠石、理水、点石五个方面,对天一阁南北园石景的建造手法进行了分析,以探究造园的独特匠心。天一阁南北园的石景艺术与地方自然环境和文化特质高度结合,在造型意境、色彩取舍、环境营造、人文底蕴上存在独特内涵,既体现了道法自然和小中见大的传统,又围绕藏书功能,体现了"形式服从功能"的思想,是艺术与实用的高度统一。Tianyi Pavilion library built in the middle of the Ming Dynasty.After the Qing Dynasty and the Republic of China,it gradualy formed the current pattern of the South and North Garden.According to the five steps of stone selection:mountain building,stone stacking,water management,and stone lighting,this paper analyzes the construction methods of stone landscape in the South and north of Tianyi Pavilion,to explore the unique ingenuity of garden building.The stone landscape art of the South and North Garden highly combined with the local natural environment and cultural traits,which has unique connotations in the artistic conception of modeling,color selection,environmental construction,and cultural heritage.The stone landscape art in the South and North Garden embodies the tradition of"the Tao follows only itself"and"see the whole world from a grain of sand".Moreover,it represents the idea of"form fol ows function"around the book collection function,which is in anextremeunity of art and practice.

关 键 词：天一阁 园林 石景 

分 类 号：TU986[建筑科学—城市规划与设计]