论当代中国主流电影的历史叙述  

The Historical Narration of Chinese Mainstream Films

作　　者：贾磊磊 JIA Leilei(Advanced Innovation Center for Future Visual Entertainment,Beijing Film Academy,Beijing 100088,China)

机构地区：[1]北京电影学院未来影像高精尖创新中心,北京100088

出　　处：《广州大学学报（社会科学版）》2020年第3期110-115,共6页Journal of Guangzhou University:Social Science Edition

基　　金：国家社科基金艺术学重大项目(18ZD14)。

摘　　要：在中国当代电影史上,影像对于史的叙述是一个不应当被忽略的问题。有许多主流影片因为在表述中国历史时的失利导致票房上乏善可陈。电影不排斥对历史的个人化表述,但在电影这种大众传播媒介中,任何关于历史的表述都应当符合历史发展的客观本质,符合社会发展的客观规律,符合中国未来发展的客观需要。为此,我们要恪守影像历史的正义立场,凝聚影像历史中的人格力量,抒写影像历史中的诗意情怀,而不能让中国革命的历史在影像世界里失去其特有的逻辑。The narration of the historical images is a problem that should not be ignored in the history of Chinese contemporary film.Many of our films fail because they fail in their representation of Chinese history.It is not that our films do not allow the individual expression of history,but rather that any expression of history in the popular media of film should conform to the objective nature of historical development and to the objective laws of social development,and should meet the objective needs of China′s future development.Therefore,we should abide by the just position of image history,condense the power of personality in image history,and express the poetic feelings in image history.We cannot let the martyrs with blood and bones to seize the land,in the image of the world lost,change the flag.

关 键 词：中国主流电影 影像叙述 文化传播 历史本质 

分 类 号：J902[艺术—电影电视艺术]